MELT

THE STRATEGY

Fear is just a state of mind.

We are creating a viable "short film" version of the feature script "Melt." The goal is to compete in festivals and obtain feature funding.

(Ballerina, 2023)

SYNOPSIS

The story follows Marilyn, a former reality TV child star whose life and career were upended by a catastrophic fire that left her face permanently scarred. Years later as an adult, she is directing a deeply personal play that re-enacts her trauma, using actors to portray herself, her mother, and her younger sister, Audrey.

Tensions boil over during a rehearsal when the real Audrey arrives unexpectedly. As the teenager watches from the audience, she sees a cruel, "off-kilter" version of herself on stage. Audrey is depicted as a "shitty copy" who capitalizes on the family’s tragedy to win beauty pageants. Ever-present in the play is the somewhat unsettling yet weirdly unchallenged representation of the mother Audrey and Marilyn share.

The estranged sisters confront one another privately in a claustrophobic room full of old props and abandoned sets. It is revealed that Audrey, who was only six years old when she accidentally caused the fire that deformed Marilyn, struggles with a lifetime of guilt and the feeling that she has "stolen" the life her older sister deserved. Marilyn defends her play as a pursuit of "truth," while Audrey argues that Marilyn is simply using her talent to weaponize their private pain for "ticket sales."

Despite a brief moment of understanding, the reconciliation fails. Marilyn asserts her power as the creator, tellingly informing Audrey that she only gets a say in the narrative when she "writes her own damn play."

The script concludes with Marilyn walking out, leaving Audrey alone in the silence of the old prop room before she takes a call from her mother.

(Chicago, 2002)

Visual Language

Oscar-qualifying cinematographer Sophie Gemelas is exploring different facets of isolation in this piece. In the first half of the short, the goal is ultra-wide shots, high-contrast lighting, and expansive swaths of negative space. Isolation in the rehearsal scene is experienced through excessive performance. Everyone is competing to have the last word or say the cleverest thing and no one is connecting despite there being seven people in the room.

Makeup

The most important aspect of the protagonist's character visually is her facial scarring. Given that we will be using a lot of closeups, we had to find not only a spectacular makeup artist but a highly adaptable one. Ash Rodriguez has personally designed custom prosthetics to make Marilyn's life-altering injury as believable as possible.

(Baby Reindeer, 2024)

Production Design

Selin Genç in partnership with Nitroglycerin Media is tasked with the challenge of creating a continuous world despite utterly opposite aesthetics for the two parts of the short. The use of sparkle, shine, and reflective material is a major aspect of this strategy. Everything that can glitter in the lights without breaking immersion will be on camera, which echoes the consistent themes of personal reflection and presentation versus reality.

Auditory Approach

Bunthoeun Real is an accomplished award-winning director who has joined our production as the audio engineer. He is a battle-tested industry veteran with encyclopedic knowledge and a love for storytelling.

We are also blessed to have the indie musician Emily McLean scoring the film. She has an ear for restraint, comfort with subtle unease, and a vulnerability to her art that will make the two distinct parts feel continuous and the short feel complete.

(Birdman, 2014)

Advisory and Production

Vee Bruno, founder of Nitroglycerin Media, is the only reason this Proof is getting made. Her ambition in starting a production company during an immensely challenging time for Hollywood is matched only by her ambition in supporting new indie filmmakers while she does it.

Odin Contreras, another filmmaker in his own right, also happens to be the best AD you could possibly find. He's calm, he's funny, and he is insanely organized. Not only will you get all your shots done on time, but you'll be giggling between takes.

Sergio Reyna, a popular TikTok content creator, provided us with an hour of his time to advise us on respectful and accurate portrayals of facial deformity. He is just as funny and witty in conversation as he is in his viral videos. His perspective led to a much more "grounded" depiction of disability in the revised version of the feature script.

GOALS

As the writer and debut director, Mary Benedict is aiming first and foremost to make a gorgeous short film she would be proud to present to everyone who helped make it happen.

The festival circuit is also a major aspiration. Not only will recognition help to compensate her amazing team for their hard work, but it might end up acting as a catalyst for a feature-length version of "Melt" in the future. This proof of concept is not by any means the first step on this story's journey, but it is also nowhere near the last.

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Visual Language